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| Funder | Arts and Humanities Research Council |
|---|---|
| Recipient Organization | University of Glasgow |
| Country | United Kingdom |
| Start Date | Sep 30, 2024 |
| End Date | Mar 30, 2028 |
| Duration | 1,277 days |
| Number of Grantees | 2 |
| Roles | Student; Supervisor |
| Data Source | UKRI Gateway to Research |
| Grant ID | 2930011 |
Today, Impressionism is widely beloved. While artists like Degas and Monet have received due limelight, the French women who championed Impressionism, including Eva Gonzalès, Berthe Morisot, and Marie Bracquemond, have been granted considerably less attention and academic exploration. Nature was of great significance to the Impressionists and held particular meaning for
women artists. The development of parks and gardens under Napoleon III set a precedent in establishing outdoor spaces of greater equity for women. The artworks of the women Impressionists illuminate the crucial interrelationship between the environment, nineteenth-century femininity, and flânerie, revealing emerging, empowering opportunities for strolling Parisiennes
University of Glasgow
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